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"Oh, yes—yes—I know; it doesn't matter; (I'll pay you out for this"), says Nolly, savagely, in an aside. "Then why don't you go back?" suggests Mona, simply. "Her form!" says Mrs. Geoffrey, surveying the tiny Mrs. Lennox from head to foot in sheer wonderment. "She need hardly pride herself on that. She hasn't much of it, has she?".

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"No. Play anything monotonous, that is slow and dignified besides, and it will answer; in fact, anything at all," says Geoffrey, largely, at which Violet smiles and seats herself at the piano. The morning wanes, and luncheon declares itself. When it has come to an end, Mona going slowly up the stairs to her own room is met there by one of the maids,—not her own,—who hands her a sealed note. They appear a kindly, gentle, good-humored people,—easily led, no doubt (which is their undoing), but generous to the heart's core; a people who can speak English fluently (though with a rich brogue) and more grammatically than the Sassenachs themselves (of their own class), inasmuch as they respect their aspirates and never put an h in or leave one out in the wrong place. "I have been taught nothing," she says, with a most successful grasp at dignity. "They do not speak of you at the Towers,—at least, not unkindly." She looks at him as she says this, but lowers her eyes as she meets his. This dark, vehement young man almost frightens her..